Results tagged “processing”

Processing Matrix

Here's a Downloadable pdf of the processing matrix, that may be easier to read.

Photographic Processing Matrix

Sometime back, I mentioned, I was thinking about a processing matrix of sorts, well here it is, now I need to make a better looking pdf version

Photographic Workflow Matrix

Shoot Process Proof Print/Output  
Task/Digital Exposure, be accurate, avoid under exposing shadows. Download from camera. Process to format suitable for future reference. Colour correct. Add colour Profile. Archive to CD/DVD. Add/Import to catalogue program. Print out hardcopy if needed.‡ Send to Print bureau for output as either Lambda or Pegasus print, or inkjet or print in-house using inkjet printer, or publish to the web. Infinte control available in digital tools such as Photoshop
Task/Analogue Neg film expose for the shadows, usually over. Positive Film expose for the highlights.¶ B&W Neg Film, process for the highlights.†
Colour Neg process. Positive film Process.
B&W make proof sheet colour neg, get machine proofs. Positive, view on light box. File negatives and proofs away for future reference. B&W, make work print. †Colour neg, make print, some local burning and dodging possible. Finished B&W prints can take as long to produce as the skills of the printer allow.
           
Software/Digital Raw Files
jpeg files
5 megapixels plus
Download from camera.
Process to format suitable for future reference. Colour correct. Add colour Profile.
Archive to CD/DVD. Add/Import to catalogue program. Print out hardcopy if needed. Send to Print bureau for output as either Lambda or Pegasus print, or inkjet or print in-house using inkjet printer, or publish to the web.  
Software/Analogue Choose a format and film type to suit the task at hand, eg 35mm for street photography, 5x4 and larger for landscape or product photography and so on. Choice of film developer, determines time temperature and agitation method, which in turn affect reults like contrast and grain. B&W requires minimum time maximum black. Labs produce colour proofs, using machinery with associated costs, and time. Expose for the highlights change filters for the shadows, then make local adjustments in darkroom, B&W only. No global contrast control, local contrast control in Type C is not impossible but technically difficult Finished B&W prints can take as long to produce as the skills of the printer allow.
  ¶ Remember the trade offs.    
    †The choices here, are exhaustive, it is even possible to make your own papers, and chemicals.
      ‡To an extent many packages will do this task sufficiently, such as Adobe Bridge, but iView Media Pro, frees up choices in terms of physical media and it’s location.
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