It's been an interesting experience for me since starting blogging, way back, when. I've moved platforms twice so far, and now again for a third time, my general photographic musings for the time being shall shift to, my tumblr, until, some other platform with superior qualities comes along.
Results tagged “photography”
This weekend I had some hardware failures. And because some technology has moved forward, ie firewire 400, I've had to rethink my approach to organising my digital files which until now, was doing fine.
Luckily no data has been lost, just the means of access has been made less convenient. Now, I need to weigh up how much digital content I need to carry everywhere, i.e. all classes and for personal use, and how much can just sit at home and be used and accessed from there?
My music collection has of course grown exponentially too, and it is now at the point where I can only use it in its entirety on some kind of disk. It is sitting at the 200gig mark.
So; two thoughts are now running through my mind. I have a large photographic project/idea that I want to shoot on film that I've been waiting to get the ball rolling on, and I've lost a bit of interest in many aspects of my cyber online image making, compounded by the usual disk space/hardware issues we are all plagued with. Do I try and juggle both, or focus on one to the detriment of the other?To add fuel to the fire, I am reading 'On Being A Photographer, David Hurn in conversation with Bill Jay'. This is more than fortuitous, and ratifies my desire to start the new project.
The light at this time of year is unbeatable, and, I know now is the time to start this new project so I feel that this is where my energies will now head. Mind you, the project is not intended to be completed for some years, so who knows, maybe I can keep a foot in both camps for a while yet.
Yesterday, I took a drive. A drive that was intended to last until the sun had gone down. It did.
I drove for over 300 kilometers. I had no real direction in mind other than the general area I outlined on this map.
I didn't follow it, the map exactly, I used a bit of follow your nose approach with some new school technology and old school technology thrown together. Despite the huge amount of rain I encountered, I saw some wonderful locations and managed to make a few pictures, some on film, 3 rolls of 120, and about 80 or so iPhone pictures. Some of the iPhone pictures were intended as simple documents of place, to be used back home when loading them into Aperture, others 'on the fly' little 'artistic, creative vignettes' that alluded to where I was geographically, and metaphorically. Some of the creative vignettes, were uploaded to multiple sites, as I went, those sites being, tumblr, posterous, and instagram.[instagr.am is an unusual site, you actually NEED an iPhone to access it, the web site is just a small footprint of the larger experience, which adds another layer of complexity to my in situ editing and uploading choices]. The light was a bit hit and miss, and as a consequence, I plan to revisit these places, when the light is better.
This was my first successful attempt at mapping myself using these technologies. The first in Sydney last year failed, more because of the tools I was using than anything else I think.
Anyway I am pleased I have made some headway in my efforts to put together a body of work, both on the fly, and in situ, and using hindsight and reflection.
My biggest concern on the day was not having any mobile reception, or rather enough reception. As it turns out, there are some dead spots much closer to the city than I would have thought and areas like near the Heathcote/Graytown National park surprisingly well serviced, go figure?
The red dots are the markers placed by the software, I use to organise photographic projects, in conjunction with my phones built-in GPS coordinates. The first thing I have learned is that, I need to make more pictures more often, and perhaps working alone, especially in a car may not be the best way to work.
One aside, late last year I was bemoaning my options regarding a new iPhone blog I wanted to get off the ground, well it is up and running and in full swing, I hope to continue to upload an image a day, every day for the foreseeable future.
Currently reading up on the "discovered" Ansel Adams negatives debacle from earlier this year.
Actually scrub that, I am in the process of tidying up loose ends here at work, when I 're-discovered' A.D. Coleman's blog, Photocritic International. He writes extensively about the issue and I'm only 1/8 the way though his writings on the matter. This quote however had me guffawing out loudly, at last some one has the balls to say it.The recent Polaroid Collection auction at Sotheby's in New York, in which some 400 Adams pieces went on the block, demonstrated that there's an insatiable appetite for Adams prints, but a few dozen "new" Adams images from his early days won't force any serious reconsideration of his already exhaustively over-considered and vastly overestimated oeuvre. The thought of yet another Adams book and show makes me cringe reflexively.
I am pleased to hear someone articulate, what many have refused to say out loud for such a long time.
About 3 or 4 weeks ago, I started another blog, this one hosted by tumblr. Which was in essence a resurrected blog from a different phone, same idea different platform and different phone.
Things were trundling quite nicely thank you, when after an announced outage for planned maintenance, the site has failed to come back online?
I chose tumblr, because it had a lively community of posters, who who share all sorts of strange and wonderful work, plus it and posterous were the only two that allowed direct uploads from my new iPhone 4.
Now I'm currently stuck in between a rock and a hard place and am not sure how to proceed, I want to keep the blog going as it, allows me to flex my creative muscle on a daily basis, the flow was happening quite well too; I felt.
Brad Rimmer, has some work on his website, that is reminiscent of Thomas Ruff, and the Dusseldorf School of photography. His website however is bereft of information. The work certainly works well, especially his colour work.
How did I fond him, in this crowded market place where everyone is a photographer? The e-zine, flackphoto.
The work suggests to me an idea that some people in the eastern states feel about the west, a kind of land frozen in time. Sadly due to the lack of context or information on the site, I can't really confirm or deny this.
Nonetheless, it's great to see Australians doing well in a crowded and highly internationalised stage.
Edit, some more digging has a quote from his book publisher's site, where he says:-“I was worried about revisiting my old home and going inside the house, but I had no real connection at all. Everything that was in my mind had gone and I felt a strange relief. On my way out of town that evening I thought of how many people had left and never returned, just left for good. I’d never thought about that before.”
It also turns out he is the same age as me and has an impressive track record, in Australia and around the world.
The Photographer's Gallery in London, is running a street photography project, that I am hoping to get involved in, the beauty of it is that once a week you receive an instruction and only have a short time frame to make the picture and upload it to flickr. This ticks several of my boxes, so I hope to actually upload a picture soon.
I have given the better part of 20 years of my life to learning and teaching photography.
I am one of the fortunate few, who, has a job I enjoy, relish and am constantly challenged by.
Over this time frame I have watched some massive changes technologically that have happened to education, photography and culture generally. I am still amazed by these changes. I am still enthusiastic about photography, learning, creativity, I feel the technological changes have made photography and education exciting and a challenge.
Other than the technological changes, it has been this way since 1987, when I took my first tentative steps, at the ripe old age of 22, toward gaining an education focused on photography.
What I fail to understand; and have never understood, is the prevailing attitude amongst many students, that school is a chore and we as educators are simply here to give them, the students, a hard time, by making them work. A recent facebook discussion I read is one of several that often occurs, spasmodically throughout the year.
Photography is a lifestyle, NOT a career. A one two or 3 year course gives you a piece of paper, but not much else. What a photography or any creative course for that matter, ultimately gives you is encouragement to move forward, the opportunity to make mistakes in an environment when making mistakes is part of the process. Lot's of fun on the way hopefully, a network of friends who can be drawn upon down the tracks to further your photographic/creative career, and a lifetime of memories, hopefully good ones.
If you are not working hard on your course, or continually looking towards the next lot of holidays, then you need to ask yourself. "Why am I doing this, course?" Chances are if you have this attitude now, you won't make it in your chosen field anyway, because there are plenty of people prepared to go that extra mile to succeed in their chosen field, regardless of the perceived losses to social life or time and energies.
I went searching today for an image I remember making, but not its time date or any other details about it. Eventually I found the photograph I was looking for, and added it to the group that had prompted, its search. But in the interim, I realised I have become remarkably less obsessed with uploading images to flickr over the last couple of years. I have no shortage of them to upload mind.
I recently purchased two new books, while in Sydney.
For those who are curious, here's a peek at my entire library of books for the last ten or so years, on librarything.com, I'm also reading a very engaging series of books, STUDYING PHOTOGRAPHY: A Survival Guide,"Your Assignment: Photography (Photo Developing)" (Douglas Holleley), and, "Photo-Editing and Presentation: A Guide to Image Editing and Presentation for Photographers and Visual Artists (Photo-Developing)" (Douglas, Ph.D. Holleley), again real refreshing insights into teaching Photography, not only the technical processes, but the creative and the organisation process as well, from creation to presentation.
Standby for a flurry of input, as, now I'm toting an iPhone everywhere, and making images, constantly on the fly, with the ability to upload immediately if I so choose to flickr, my posterous account, the shared posterous project, or twitpic.
Now that I've finished using my Sony Ericsson c902 phone/camera, I decided to trawl back though my archives and see what was lying around. From 2006, I used the k610i ending up using c902, in to the August 2010, Imade over 3 thousand pictures. From these, I managed to hobble together one book, with plenty of images to spare. When it is finished I shall post a link to it.
Two more books are a distinct possibility.
Today, saw the creation of a new collaborative project, shared between myself and 3 other iPhone users. The project is hosted by posterus, and is called 4over3.posterous.com. We all share a similar approach to picture making and have a similar regard for the web and its ability to share regardless of time, place or space. Where it will go I have no idea, we are spread across the globe, 1 in Asia, 1 in Europe and 2 in Australia. I may consider expanding the project to include one or two more people, contact me if you have a passion for picture making, regardless of device, and can afford to connect to the web anywhere anytime.
I also signed onto the eyeem.com site, an online site dedicated to sharing of iPhone pictures.
While we are on the topic of Posterous, I've begun using the space as, another small gallery for spontaneous projects as they occur.
I am a proud and new owner of the latest iPhone 4, it s my first iPhone ever, to say I am pleased, would be an understatement.
One of my peers, has had an iPhone since their release 2 years ago, he too is an advocate of, the best camera to own is one you have on you at all times, and are prepared to use all the time.
Hipstamitic, is one of his favourite iPhone applications, so, of course I had to give it a go too. I have at the moment, 6 lenses and 8 film types, as well as, the flashes, that come with the application, perhaps just the iPhone 4.
With such a dizzying array of options I needed to be clear in my own mind what film/lens and film/lens/flash combinations I felt the most comfortable with. How to work this out? Why run a test of course.
Not a very scientific one, but a test nonetheless, in real world conditions, i.e. my sunroom at home in the gorgeous winter light.
So I photographed the view out of the bck window with all possible lens/film combinations. Once I'd settled on a film/lens combination, I then tested the flashes with that combination.
The winner for me is:-
- Lens; Lucifer VI
- Film: Pistil
- Flash: Standard
Is it art? The jury is still out on that one, one thing is sure though, it is a whole lot of fun.
Google Chrome, my 2nd browser of choice now has extensions, allowing me to trick out the browser to do so much more. Will it replace Safari? I doubt it? Safari's colour management, ie Apple's colorsync are a given, and as I spend so much time looking at Photographs online, I need to feel comfortable regarding the colour.
hmmm an interseting turn of events!
I hear some folks are doing ok from this process.
I have submitted images for consideration to either competitions or exhibitions to both the CCP and an American organisation called, Artists Wanted recently. The outcomes of both of these submissions won't be known for at least 2 or 3 months, so in the meantime, I sit and wait.... oh and make more images. The Artists Wanted competition/exhibition allows, public voting on each artists gallery, while the work is individually judged on its merits, so feel free to swing by and vote on my gallery.
So... over a year ago I was busy making pictures on film with my 'blad lapping up the light, this year I used my new G11 and was blessed with some great light over easter. The major difference is that I produced a body of work quickly and efficiently with the g11, while I still am unsure about the blad pictures and what to do with them?
It has some excellent work on display, including series of images that look at the destruction of subway cars, car racing and hidden 'landscapes' of New York.