Results tagged “photographer”

Maps, Mapping and Place

From the map below you can see, that the corridor of images, that flickr deems the most interesting forms a relativley narrow corridor, running roughly East to West. No surprises really here, as these are the places I spend the most time at, home and work. I does give me an pointer that maybe I need to exapnd my explorations and see what I can come up with, Brusnwick for example, a suburb north of the CBD, is a rich area of post-industrial sites, in varying states of use.

I think it is quite apparent that my 'place' is in this East West corridor.

map of intersting
Uploaded with plasq's Skitch!

Exhibitions, I'd wish I could have seen

Eastman House is not only re-running the New Topographics: Photographs of a Man-altered Landscape, from 1975; but this exhibition, entitled, Nature as Artifice: New Dutch Landscape in Photography and Video Art

The description “Dutch landscape” may evoke an idyllic vision reminiscent of Dutch landscape paintings, but today the Netherlands is known for its planned, manipulated landscape. In the last two decades a number of Dutch photographers and filmmakers have taken contemporary Dutch landscape and nature as their point of departure. George Eastman House presents a major survey of this new work, titled Nature as Artifice: New Dutch Landscape in Photography and Video Art, on view June 13 through Aug. 16. It is a companion show to the Eastman House summer exhibition New Topographics, originally mounted in 1975, illustrating the profound influence of that exhibition on the generations that have followed.

The tyranny of distance lingers.

Looking Back

Two Years; today:-


pink

One Year today:-


Sunshine Melbourne Victoria Australia 2008:04:13 16:28:19

It's been a while since I did this.

It's no coincidence that I uploaded 2 mophone shots. Looking at my 'organiser' on flickr, I see a few shots, around April 2007, where I remember beginning to think about using a phonecam in a more concentrated and excuse the pun focused way.

But the real reason I did this today I feel, is because I picked one of my books of Robert Adams' essays, and felt inspired to look back and see where I've been and think where I could possibly go.

In the past I have talked at length about why, what and how I do what I do, Mr Adams, sums it up far more succinctly than I ever could.§

*Attention only to perfection, however, invites eventually for urban viewers — which means most of us — a crippling disgust; our world is in most places far from clean. Photographs that suggest an Arcadian landscape are recognisable from the city dweller's perspective as partial visions, and they make us uneasy. We feel defencelessness against what we will encounter on the street. How can trees in a National Park save us from the concrete-and-glass brutalities of a BIG city? The answer is, in simple emotional terms at least, that they cannot; to be reminded of the trees makes city streets seem worse.

*page 104, 'Beauty in Photography Essays in Defence of Traditional Values'

§ The actual place names have been changed/removed, to better contextualise it, both were recognisable as American.

A Conversation with Joshua Lutz (Conscientious)

A few days ago, I mentioned a reference to a body of work, by a Photographer, who had published the work in a book many years earlier on an area called Meadowlands, well today I discover that another photographer has spent 10 years working in the same area, and, has also published a book and an exhibition. This time however in colour. Joel over at Conscientious, has interviewed the photographer

Joshua Lutz just had Meadowlands published, after spending ten years on the project. His book (and recent show) had me curious about the background of the project, and I approached Joshua to talk about it.

I'd be curious to chat to Joshua and see how much the place had changed, and if Ray Mortensen's work had any influence on him, or the idea?

Max Dupain on Assignment [Exhibition]

This looks like it will be worth a visit

A new photographic exhibition featuring many never seen before works by legendary Australian photographer, Max Dupain (1911-92) is opening for the first time at the Victorian Archives Centre.

Victorian Archives Centre 99 Shiel Street North Melbourne

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