Results tagged “cameras”

I bought a new camera

I was disappointed, that I missed, buying the Canon G10 in 2008, I hunted high and low for it in late 2009, to no avail. I purchased the G11 early this year and, I'm much happier anyway. Noise levels are reduced in this model, according to the specs and the banter on forums like

[From Canon Camera Museum | Camera Hall - Digital Compact Cameras]

Unfortunately due to the awful lighting conditions this time of year, I've not been able to shoot a great deal, to really get some results from it.

Interesting too, note that Canon, list it in the “Museum;” already?

iPhone/iPod remote

Using your ipod or iphone as a remote for certain devices is well known, but how about a remote control for your camera?

Using the software made by onOne, you can tether a Canon to a computer with the remote software installed, then using your iPod touch or iPhone, control all aspects of the hoot, and preview them 'live']

As gadgets go, this is really amazing, and yes I finally confess to being a gadget geek, but those of you who know me, knew that anyway.

Cameras... again?

I'm often asked what is the best camera to buy.. the answer used to be ...depends, on your perceived needs and uses,; no more.

The best camera to buy is one that you will carry EVERYWHERE, and use ALL THE TIME.


It's that time of year when, I attempt to coax aspiring photographers away from the 'P', 'A' or 'Tv' settings on their cameras. For many many years we at PIC photographic imaging college used the ever trusty Pentax k1000. Simple, solid reliable, durable [even in student hands] an all round great beginners camera. No clumsy interface, no strange dials, one that could take a photo without a battery even.

When pic first bought a digital camera, a Canon 350d, it was ruined beyond repair in it's 1st year of life. By contrast, most of our Pentax K1000's are more than 15 years old and some are over 20 All still going great guns, even after numerous trips to the the camera technician.

The principles of exposure, depth of field, focus, and good picture making, have not changed. All the controls on a camera I need to teach someone how to make good images, are; manual aperture control, manual shutter control, manual focus, [d.o.f of field scales on a lens would be handy too] a tripod mount, and the ability to add a cable release. I care not whether these controls are electronic or mechanical.

Now, call me an idealist, but surely would it not be in the interests of camera manufacturers world wide to make such a camera? We enrol enough students to employ 6 full-time teaching staff and several assistants and technicians year in year out for more than 20 years. We still have over 30 Pentax K100's in our store, we have associated lenses of several focal lengths, filters UV, and coloured, cable releases macro lenses and close-up re-copying facilities, the lenses are all 'K' mounts .

I dream of a digital camera, that has minimal electronics, shutter aperture and white balance controls and no more, with a "normal focal length lens as standard, with d.o.f scales marked accordingly, with the ability to add a cheap cable release, and of course a tripod mount.

Canon, Nikon, anyone?

... crickets....

Moore's Law...

According to the SD Association, a 2 Terabyte SD card is on the horizon.


SDXC is a next-generation memory card format, with up to 2 terabytes storage capacity and read/write speeds of 300 megabytes per second. SDXC (eXtended Capacity) will provide maximum speeds even when it achieves its maximum 2TB storage capacity. "SDXC is a large-capacity card that can store more than 4,000 RAW images, which is the uncompressed mode professionals use, and 17,000 of the fine-mode most consumers use." said Shigeto Kanda, general manager at Canon. Developed by the SD Association, specifications for the new SDXC standard will be released in the first quarter of 2009.

How I got Here Part Three?

Life and time commitments make it difficult to plan shooting around good light and the best seasons these days, to then process film on top of that, means a lot, not to mention that materials, such as black and white papers, are running out as well. this puts me in a quandary and means, my creative energies would be better spent exploring ideas and the world around me, using other means, preferably with a lens and a light sensitive material of some sort.

Film & Darkroom / Black & White Papers / - CALUMET

Technological changes mean I can get good quality images quickly [excellent ones If I'm careful in an analogue sense] and easily using the smallest of devices. The caveat being they will probably only ever exist in cyber space.

Why then not explore other ideas now. I mean all that other stuff, I'd felt was important for all this time, is important, but how important in this image saturated media landscape? Why not just see if I can't just get the ideas across using the simplest of tools with nothing more to deal with then the 3 most important elements of photography, Light, Time, Space. well hey presto! Here I am using a mobile phone and or a small camera set to VGA, to hopefully get some idea across about the world I see and am somewhat incongruously part of, that I can share in real time or in a myriad of other ways.

There is somewhat of a leap of faith here between finely crafted silver gelatine prints, and the bulk of work I'm producing these days. So let me retrace my steps slightly.

Somewhere between 1994 and 2004, I started meandering in other directions. A Dip Ed and an MA, were two of them, computers the internet and DTP were other side interests. All the while, digital cameras are following Moore's Law, to an extent, and desktop printers are getting better and better. By 2004 I'm hooked into flickr using my Nikon Coolpix 5400, bought after travelling the world. This is the first digital camera I owned that I thought capable of producing reasonable A4 prints. It is however not the 1st I ever owned. The first I owned, had died a quiet death in Wales on the same trip, but in the interim had produced 13,000 plus images, a tiny selection of which made one of my 1st e-books, "buy, buy, buy". But I digress.

As I said 2004 and getting a flickr account, was somewhat of a turning point for me. The first few years on flickr were pretty insane, but eventually I picked up on some patterns and ideas that were not dissimilar to the real world, particularly amongst amateur photographers. For example.

  • 35 mm DSLRs produce better images than point and shoot cameras
  • Shallow Depth of Filed has some special magic quality about, which in turn, spawned a slather of cults/followers/groups 11,000 on flickr at time of writing
  • Skin/sex sells, but I guess I knew that already but had forgotten it
  • Subtlety/complexity was often overlooked
  • Democracy exists in a way I'd never experienced it before [is this a unique web/forum thing?]

Anyway, I enjoyed those first few years prior to the Yahoo buyout immensely, I still do enjoy my time on flickr, but in a much more pared back kind of way. Two of the factors I enjoy about flickr, are, the amount of folks who seemed prepared to push the envelope on photography, and the interface design, particularly compared to 'deviantart' and 'fotolog'. In the beginning though it,flickr or my experience of it, was still somehow tied into the idea of a polished and finished 'object' and the stuff I'd learnt at University.

Somewhere around 2006/2007, things slowly moved in another direction. I knew it was pointless obsessing over colour as colour management is still very poorly misunderstood idea, not to mention, interfaces and browsers interfere with these factors anyway. I began wondering then, how I could add a layer of complexity to my images that was uniquely digital, how I could use flickr and the internet to exploit that? So I stopped post-processing my digital images, then began looking at other ideas.


Maps have always fascinated me. They, give some clue to your geographical location, which in turn hints at who you are, and in turn may give some clues to your culture. One thing that is unique to digital photography is, Exif Data. Digital exif data maps to the second when you made the image. The Web itself has grown to allow people many ways to geographically and visually place images into maps. These images then add data to larger databases that collectively and individually add to the greater understanding of who we are, and where we are.

Time, place, identity/memory are driving factors behind much of my output. However I'm also still am not only interested in what makes a photograph "good", but now, how I can use the simplest of tools to create images this way. ultimately the biggest change for me though is, that I carry at least one and often 2 or 3 small digital cameras everywhere, and can work at an intuitive level that I've never been able or allowed myself to work at before.[Once i've learnt how to exploit or overcome the shortcomings of each device.]

Intuition is for me the most difficult of creative processes to justify in this day and age of huge staged, or manipulated, images that adorn the halls of many Arts institutions. For me, seeing comes before speaking.

Let me finish off by, presenting one of my favourite little poems I picked up while studying at art school, it for me sums up art and photography so well;

"In modern thought, [if not in fact]
nothing is that doesn't act
So that is reckoned wisdom which
describes the scratch but not the itch"


Here's an example of the D.I.Y ethic I've talked about in previous posts.

The return of frankenkamera

Camera Icons

Holiday Fun

Many people like to personalise their computers in many ways, using different icon sets to the ones that come with the computer is one of them. I am no exception, of course though I like to try and find photography related ones. Rarely is there much out there. As a consequence,I make my own using my small collection of cameras, I photograph them and make icons using the neat little free-ware app called cocothumbX.If you have a mac and would like some let me know I'd be happy to share them.


yehaaaa it's thong season

On an unrelated note:-
Have a Polaroid?
Want to keep on shooting with it?
Want a Polaroid?
This is the website for you then



Find recent content on the main index or look in the archives to find all content.