David's work reminds me of Joe Deal's seminal body of work in the 70's entitles "The Fault Zone", and perhaps not surprisingly, shot in LA as well.
[From lens culture: David Maisel]
Prior to 1995, this kind of work would have taken a few years to filter here to Australia, and maybe longer to make it to the shelves of some of Melbourne's Colleges of Tertiary Education. Now time is an inconsequential aspect of seeing this kind of work. I wonder is this a good thing or a bad thing?
